Nine
After 25 years, eight albums, and countless gigs, Bleeding Through persist as a tried-and-true outlier in heavy music and culture. The Southern California stalwarts wield an enigmatic and unmistakable signature sound born at the crossroads of no-holds-barred hardcore, cutthroat thrash, and cinematic black metal. Mastering a drastic push-and-pull, they have always occupied their own elevated realm in the extreme space, exhibiting a rare ability to not only incite a moshpit, but also invite complete immersion. It’s why they’ve endured changing tides and trends and stood strong as a force of nature with consistent critical acclaim and packed shows. However, the six-piece—Brandan Schieppati [vocals], Derek Youngsma [drums], John Arnold [guitar], Ryan Wombacher [bass], Marta Peterson [keys, vocals], and Brandon Richter [guitar]—assuredly perfect this vision in 2025 on their aptly titled ninth full-length offering, NINE [Sharptone Records]. “We knew we wanted to make a really dark record,” says Brandan. “For as raw as the feeling is, we were also very deliberate in terms of the orchestration. It’s definitely a balance. We put everything into NINE. I remember saying, ‘This needs to be the most true representation of what Bleeding Through is’. I think we achieved that.” Bleeding Through bulldozed their way out of Orange County just before the turn-of-the-century. Following Dust To Ashes [2001] and Portrait of the Goddess [2002], they delivered a classic in the form of This Is Love, This Is Murderous [2003], which Revolver retrospectively christened it a “quintessential piece of 2000s metal.”
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Nine
After 25 years, eight albums, and countless gigs, Bleeding Through persist as a tried-and-true outlier in heavy music and culture. The Southern California stalwarts wield an enigmatic and unmistakable signature sound born at the crossroads of no-holds-barred hardcore, cutthroat thrash, and cinematic black metal. Mastering a drastic push-and-pull, they have always occupied their own elevated realm in the extreme space, exhibiting a rare ability to not only incite a moshpit, but also invite complete immersion. It’s why they’ve endured changing tides and trends and stood strong as a force of nature with consistent critical acclaim and packed shows. However, the six-piece—Brandan Schieppati [vocals], Derek Youngsma [drums], John Arnold [guitar], Ryan Wombacher [bass], Marta Peterson [keys, vocals], and Brandon Richter [guitar]—assuredly perfect this vision in 2025 on their aptly titled ninth full-length offering, NINE [Sharptone Records]. “We knew we wanted to make a really dark record,” says Brandan. “For as raw as the feeling is, we were also very deliberate in terms of the orchestration. It’s definitely a balance. We put everything into NINE. I remember saying, ‘This needs to be the most true representation of what Bleeding Through is’. I think we achieved that.” Bleeding Through bulldozed their way out of Orange County just before the turn-of-the-century. Following Dust To Ashes [2001] and Portrait of the Goddess [2002], they delivered a classic in the form of This Is Love, This Is Murderous [2003], which Revolver retrospectively christened it a “quintessential piece of 2000s metal.”
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After 25 years, eight albums, and countless gigs, Bleeding Through persist as a tried-and-true outlier in heavy music and culture. The Southern California stalwarts wield an enigmatic and unmistakable signature sound born at the crossroads of no-holds-barred hardcore, cutthroat thrash, and cinematic black metal. Mastering a drastic push-and-pull, they have always occupied their own elevated realm in the extreme space, exhibiting a rare ability to not only incite a moshpit, but also invite complete immersion. It’s why they’ve endured changing tides and trends and stood strong as a force of nature with consistent critical acclaim and packed shows. However, the six-piece—Brandan Schieppati [vocals], Derek Youngsma [drums], John Arnold [guitar], Ryan Wombacher [bass], Marta Peterson [keys, vocals], and Brandon Richter [guitar]—assuredly perfect this vision in 2025 on their aptly titled ninth full-length offering, NINE [Sharptone Records]. “We knew we wanted to make a really dark record,” says Brandan. “For as raw as the feeling is, we were also very deliberate in terms of the orchestration. It’s definitely a balance. We put everything into NINE. I remember saying, ‘This needs to be the most true representation of what Bleeding Through is’. I think we achieved that.” Bleeding Through bulldozed their way out of Orange County just before the turn-of-the-century. Following Dust To Ashes [2001] and Portrait of the Goddess [2002], they delivered a classic in the form of This Is Love, This Is Murderous [2003], which Revolver retrospectively christened it a “quintessential piece of 2000s metal.”
